The silencing of the LGBTQ communities in China is not a new or unexpected development. LGBTQ content is not banned on mainstream media but also not allowed to air. This curious issue culminated in 2015 when a film director Fan Popo filed a lawsuit against the State Administration of Press, Publication, Radio, Film and Television for censoring his documentary “Mama Rainbow”. The only clear exception to that unwritten rule is the trans TV show host and actor Jin Xing, who has had a long career on Chinese television.
In this environment of semi-repressed LGBTQ representation, social media had occupied a special space that prior to this week was free to create and share content.
Another huge hit to the LGBTQ communities was felt in 2016 with the new strict requirements imposed on foreign non-government organisations via the “Law of People’s Republic of China on Administration of Activities of Overseas Non-governmental Organisations in the Mainland of China”. The law came into effect on 1 January 2017, requiring the organisations to register their information with the Ministry of Public Security, file multiple requests and reports for activities, and show that they are working on a temporary basis. The law forced many non-governmental civil society organisations to close down; organisations that were working with LGBTQ communities could “prove” that they were not harming the Chinese “social order” so were among the ones that suffered most.
In 2020, the Shanghai Pride, the longest running pride festival in China, was forced to shut down. The organisers commented that they were aiming to “protect the safety of all involved”, suggesting that this was not a positive community choice.
It was during that time that I felt a shift in the way that LGBTQ topics were discussed in China. In 2018, an English language report on trans activists that I co-authored and had shared on Facebook (and not on Chinese social media) seemed to have prompted an unexpected police visit to the organisation that had sponsored the report. We had to remove the report from the internet and only share private copies via email alongside the physical printed copies, dramatically reducing the reach of the information. Luckily, the community work that formed the basis of that report had already created strong social networks.
The censorship continued and took new forms, casting a wider net to target feminist and labour activism.
The censoring of WeChat accounts for LGBTQ groups has been the most recent blow to the communities that have not only survived but thrived and helped young people in China come to terms with their sexual and gender identities. Having grown up and with DiversityUNNC and learned how to be a proud queer woman through this channel of social media, the censorship of the student society social media accounts on WeChat came as a wave of pain. Not so much for myself, but for generations of young students that the upcoming period of forced invisibility is going to bring.
Ausma Bernot