An end-of-year series as the Lowy Institute staff and Interpreter contributors offer their favourite books, articles, films or TV programs this year. Watch for more recommendations and reflections in the days ahead.
It seems like an eternity ago now, but it was only eight months ago that Tiger King: Murder, Mayhem and Madness was taking Australia and the world by storm. Released at the end of March, this timely Netflix true-crime documentary appeared just as people went into Covid-19–induced lockdown. There was, you might say, a captive audience.
The central drama of Tiger King occurs between the private zoo owners who collect big cats and the conservationists who argue the breeding parks and their “pay to play” sub-industries are abusive and exploitative. Astonishingly, there are more captive tigers in United States than in the wild globally.
This was not a show for everyone. The world it documents is intensely, overwhelmingly bizarre, containing two murder plots, drugs, guns and, of course, politics. There’s no shortage of drama – the second episode begins with a zoo worker getting an arm bitten off by a tiger.
The Tiger King world is inhabited by “colourful characters” wilder than fiction. The central player is Joe Exotic, described by another participant as a “redneck, gun-toting, mullet-sporting, tiger-tackling gay polygamist”. A rampant self-promoter, Exotic claims to breed more big cats than anyone in the country, and his cowboy-meets-Cher aesthetic is a sartorial wonder. (Little was I to know that after four months of lockdown, I too would be sporting an Exotic-style two-toned mullet.)
House approves bill banning big cat ownership after Netflix's "Tiger King" https://t.co/FnaoJsLnal pic.twitter.com/4Wkm7VbsfO
— The Hill (@thehill) December 5, 2020
The key antagonist is animal conservationist Carole Baskin, who has a mysterious backstory involving a missing husband that the show attempts to shed light on.
Is this just an odd subculture? Or does Tiger King help us understand politics in America? The disconcerting aspect of Tiger King is that it seems absurdly unreal, and yet watching it during the fading months of the Trump administration, it is difficult not to draw parallels with the broader political context.